Reviewed · HOI AN ANCIENT TOWN WALKING TOURS
Experience Calligraphy Learning Class in Old Town Hoi An
The most memorable part of this Hoi An class is the chance to slow down with Master Huynh Dong, a local artist born in the Ancient City. Over two hours, you work with a fur pen, Chinese ink, and traditional Do rice paper while learning what Vietnamese calligraphy means, not just how to copy its shapes.
I like the small group size of five or fewer and the quiet pace, especially after time among Hoi An’s busy streets. I also like the personal gift: after the class, Master Dong creates a calligraphy piece on rice paper with your name or an idea you provide. The main consideration is that this is an introduction, not a full artistic education, so anyone expecting advanced training may find two hours short.
Key points at a glance
- Meet Master Huynh Dong at 33 Nguyễn Thái Học: The class takes place at his Calligraphy Gallery in Hoi An’s Ancient City.
- Work with traditional materials: You’ll use a fur pen, Chinese ink, and Vietnamese Do rice paper to make your own piece.
- Learn both art and culture: Master Dong explains ancient Vietnamese calligraphy and also introduces modern forms.
- Try more than calligraphy: The class includes traditional folk painting and watercolor landscape painting.
- Receive a personalized keepsake: Master Dong makes a calligraphy work featuring your name or chosen idea.
- Plan for a calm, intimate session: The maximum group size is five, and the activity lasts about two hours.
A quiet art class in the middle of Hoi An
This experience offers a useful change of rhythm. Hoi An is famous for lantern-lit streets, old houses, and busy pedestrian lanes, but this class asks you to sit still and pay attention to one careful stroke at a time.
That slower pace is part of the value. You are not simply buying a souvenir or watching an artist work. You learn enough about the tools, forms, and cultural background to understand why a single character can carry so much meaning.
The meeting point is 33 Nguyễn Thái Học, Phường Minh An, in Hoi An. The activity begins and ends there, so you do not need to arrange transport between several locations. The mobile ticket also makes entry simple, though you should still check the meeting address carefully before setting out.
The class is limited to a maximum of five people. That matters here. Calligraphy requires room for instruction, correction, and concentration. A large group would make the session feel less personal, while this small format gives you a better chance to work directly with Master Dong.
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Meeting Master Huynh Dong in his gallery

Huynh Dong was born in 1958 and considers Hoi An his native home. His education began with Chinese calligraphy, then grew into a broad study of Vietnamese language, psychology, education, foreign languages, and art.
His academic background includes degrees from Hue University of Pedagogy, the University of Pedagogy in Hanoi, the University of Da Nang, and the University of Ha Noi. You do not need to know every qualification to enjoy the class, but his varied training helps explain why the session includes both technique and cultural explanation.
The atmosphere is likely to feel more like a visit to an artist’s working space than a standard sightseeing stop. One especially appealing detail is the chance to sip tea while practicing. That small pause fits the nature of calligraphy. You are encouraged to slow your hand, watch the ink, and accept that the first attempt may not be your best.
Master Dong is described as soft spoken and calm, with years of practice in his art. That style should suit you if you prefer thoughtful instruction instead of a loud, fast-moving activity. If you want constant entertainment or a packed schedule, the quiet mood may feel too restrained.
Learning ancient and modern Vietnamese calligraphy

The main lesson covers both ancient and modern Vietnamese calligraphy. This distinction gives the class useful range. You are not limited to copying a single traditional design, and you are not presented with modern lettering without context.
Master Dong explains the cultural background of ancient Vietnamese calligraphy as you work. The aim is not only to produce attractive marks. You also begin to see how writing, language, and visual form connect in Vietnamese artistic practice.
You should expect the class to be hands-on. With guidance from Master Dong, you create your own calligraphy artwork using a fur pen, Chinese ink, and traditional Vietnamese Do rice paper. These materials are important because they make the activity feel tied to local craft rather than a generic drawing lesson.
Ink on rice paper behaves differently from pencil on ordinary paper. A stroke can spread, fade, or become heavier than intended. That can be frustrating, but it is also the point. You learn to control pressure and movement while accepting small variations as part of handmade art.
Do not judge the session only by the neatness of your final piece. The benefit is learning how the tools behave and gaining a better sense of the patience required. You may leave with work that has some uneven lines, but those marks show that you made it yourself.
From the first stroke to your finished artwork

The lesson is best understood as a short sequence rather than a single demonstration. First, you receive an introduction to the art and its background. Then you work with the materials and begin forming your own characters or designs under Master Dong’s guidance.
The exact order and amount of time given to each activity may vary, but the published program includes ancient and modern calligraphy, traditional folk painting, and watercolor landscape painting. This mix gives you several ways to use your hands and eyes.
The painting portion is useful if calligraphy feels intimidating. You can move from the precise control of ink strokes to a looser watercolor exercise. The traditional folk painting segment also adds another window into Vietnamese visual culture.
At the same time, the wide range of activities means the class cannot provide advanced training in each one. Two hours is enough for an introduction and a finished keepsake, but not enough to master calligraphy, folk painting, and watercolor. I would book this as a cultural workshop, not as a serious professional art course.
The small group makes a difference during this process. With no more than five participants, Master Dong can give individual help as you practice. You should have a better chance to ask questions, correct your grip, and understand why a stroke needs to be made in a certain way.
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The personalized gift at the end

One of the strongest features is the calligraphy piece Master Dong creates for you after the course. He writes your name or an idea you choose on rice paper, then gives it to you as a gift.
This is more personal than buying a ready-made piece from a market. You can connect the artwork to your name, a meaningful word, or an idea that matters during your visit to Hoi An. The supplied details do not specify how long this takes or what size the work will be, so you should treat it as a personal finishing touch rather than a guaranteed custom commission.
The gift also gives the class a clear ending. You make your own work during the lesson, then receive a piece produced by an experienced artist. That contrast lets you see the difference between a beginner’s first efforts and a practiced calligrapher’s control.
Pack it carefully if you plan to continue traveling afterward. The material is rice paper, so it should be treated as a delicate keepsake. The information provided does not state whether protective packaging is included.
Why the two-hour format works

Two hours is a sensible length for this type of activity. It gives you enough time to settle into the process without turning a short holiday workshop into a full-day commitment.
You can fit it around other time in Hoi An, though the exact start times are not provided. Because the class begins and ends at the same address, it is easier to plan than an activity with several meeting points or transfers.
The pace should also suit families, couples, solo visitors, and anyone who wants a break from sightseeing. Most people can participate, according to the activity information. Still, calligraphy requires sitting, handling ink, and making careful hand movements, so you should consider your own comfort with those tasks.
The mobile ticket is convenient. Confirmation is received at booking, and free cancellation is available if you cancel at least 24 hours before the local start time. Changes or cancellations made less than 24 hours before the activity are not accepted for a refund.
Is $37 a fair price?

At $37 per person, this is not the cheapest creative activity you could find in Vietnam. Its value comes from the combination of instruction, a small group, art materials, cultural explanation, and a personalized calligraphy gift.
If you only want to try writing a few characters, the price may feel high. You could find simpler craft activities that cost less. But this class includes access to Master Dong’s teaching, your own work on traditional paper, exposure to folk and watercolor painting, and a custom piece made for you.
The maximum group size of five strengthens the value. Private or nearly private instruction usually costs more than a large demonstration, and calligraphy benefits from direct help. You are paying for attention as much as for the materials.
I would consider the price reasonable for someone who values a personal souvenir and a calm cultural activity. It is less compelling if you are focused only on seeing as many Hoi An sights as possible or if you do not care about taking home artwork.
Who should book this Hoi An class?

I would recommend it to you if you enjoy hands-on activities and want to understand a local art form through practice. It also suits anyone looking for a quieter experience after spending time in Hoi An’s crowded central streets.
The class should work well for:
- Couples seeking a shared activity with a keepsake
- Solo visitors who prefer a small, personal lesson
- Families with participants interested in drawing and painting
- Art students wanting a short introduction to Vietnamese calligraphy
- Culture-minded visitors who value explanation as much as photographs
- Anyone who wants a name or meaningful word written by a local master
It may not suit you if you want a fast, highly structured sightseeing tour. It is also not the right choice if your main aim is advanced calligraphy training. The class gives you a first look and a chance to practice, not a long course.
Practical details before you go
The meeting point is 33 Nguyễn Thái Học, Phường Minh An, Hội An, Quảng Nam, Vietnam. The activity returns to this same point at the end.
The total duration is approximately two hours. The group maximum is five people, and most people can participate. Confirmation arrives when you book, and the ticket is available on your mobile device.
Wear something you can sit comfortably in and handle around ink. The supplied information does not state whether clothing protection is provided, so avoiding your most delicate outfit is sensible. The same caution applies to bags and personal items near art materials.
Free cancellation applies when you cancel at least 24 hours before the start time. The cut-off follows local time in Hoi An. A cancellation made inside that 24-hour window is not refunded, and late changes are not accepted.
Should you book the calligraphy class?
Book this experience if you want a small, personal art lesson with a local Hoi An master, especially if the idea of making and receiving calligraphy on rice paper appeals to you. The calm setting, tea, small group, and cultural explanation make it a good counterpoint to ordinary sightseeing.
Skip it if you want a long, advanced course or a low-cost activity with little instruction. For most visitors who enjoy creative work, the $37 price is justified by the personal guidance and custom gift. Just arrive ready to slow down, accept imperfect first strokes, and give the ink room to do its work.
FAQ
Where does the calligraphy class take place?
The class takes place at the Hoi An Calligraphy Gallery at 33 Nguyễn Thái Học, Phường Minh An, Hội An, Quảng Nam, Vietnam.
How long does the experience last?
The class lasts approximately two hours.
Who teaches the calligraphy class?
The class is taught by Master Huynh Dong, who was born in 1958 and considers Hoi An his native home.
What materials will I use?
You will use a fur pen, Chinese ink, and traditional Vietnamese Do rice paper.
Will I learn only calligraphy?
No. The class includes ancient and modern Vietnamese calligraphy, traditional folk painting, and watercolor landscape painting.
Is the class suitable for most people?
The activity information states that most people can participate.
How many people can join the class?
The maximum group size is five people.
What do I receive after the course?
Master Huynh Dong creates a calligraphy work on rice paper with your name or an idea you provide, and gives it to you as a gift.
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